1,714 Free Images of Hand Colored Etching

yale center for british art etchings in the yale center for british art romanticism thomas rowlandson james gillray isaac cruikshank metropolitan museum of art national gallery of art prints by thomas rowlandson in the metropolitan museum of art henry thomas alken

America a Prophecy copy a plate 07, William Blake

media from the william blake archive romanticism,fairy painting

America a Prophecy copy a plate 17, William Blake

media from the william blake archive romanticism,fairy painting

An Early Lesson of Marching, Samuel William Fores, 24 December 1794

george moutard woodward samuel william fores

America a Prophecy copy a plate 16, William Blake

media from the william blake archive romanticism,fairy painting

America a Prophecy copy a plate 11, William Blake

media from the william blake archive romanticism,fairy painting

Pizzaro a New Play or the Drury-Lane Masquerade, Samuel William Fores, 11 June 1799

18th-century artwork by unknown artists from the united kingdom samuel william fores

Rural Sports, Smock Racing, Thomas Rowlandson

satirical art works romanticism

Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825

etchings in the yale center for british art henry thomas alken

Houses lately standing on the North Side of Long Land, Smithfield, John Thomas Smith, 1813

etchings in the yale center for british art john thomas smith (1766-1833)

Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825

etchings in the yale center for british art henry thomas alken

Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825

etchings in the yale center for british art henry thomas alken

The Surprise, Thomas Rowlandson, 1799

prints in the metropolitan museum of art romanticism

America a Prophecy copy a plate 14, William Blake

media from the william blake archive romanticism,fairy painting

America a Prophecy copy a plate 10, William Blake

media from the william blake archive romanticism,fairy painting

America a Prophecy copy a plate 15, William Blake

media from the william blake archive romanticism,fairy painting

Waiting Room at the Admiralty--.(No misnomer) - Plate 6, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Hunt The Slippers, Thomas Rowlandson, 1802

prints by thomas rowlandson in the metropolitan museum of art romanticism

Mr. B seeking the Bubble reputation - Plate 5, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Ruins of the Abbey of Rijnsburg: Small Version, Hercules Seghers

etchings in the national gallery of art (washington, d.c.)baroque

A Cat in Pattens, Thomas Rowlandson, 1812

prints in the metropolitan museum of art romanticism

Paris Diligence, Thomas Rowlandson, probably 1810

prints in the national gallery of art (washington, d.c.)romanticism

Madame Very Restaurateur, Palais Royal Paris, Thomas Rowlandson, 1814

prints in the national gallery of art (washington, d.c.)romanticism

The Monkey Room in the Tower, Thomas Rowlandson, published 1799

prints in the national gallery of art (washington, d.c.)romanticism

The Lawyers Last Circuit, Thomas Rowlandson, published 1802

prints in the national gallery of art (washington, d.c.)romanticism

The Prospect before us, No. 2, Thomas Rowlandson, published 1791

prints in the national gallery of art (washington, d.c.)romanticism

A General Discharge or the Darling Angel's Finising Stroke, Thomas Rowlandson, 13 March 1809

satirical art works romanticism

The Corn Snake (Coluber fulvius?), Mark Catesby, published 1731-1743

the natural history of carolina, florida and the bahama islands etchings in the national gallery of art (washington, d.c.)

The Glass Snake (Anguis ventralis), Mark Catesby, published 1731-1743

the natural history of carolina, florida and the bahama islands etchings in the national gallery of art (washington, d.c.)

Les poissons et le cormoran (The Fish and theCormorant), Pierre Quentin Chedel, published 1759

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love...", Thomas Burke, 1789

etchings in the yale center for british art thomas burke (artist)

The Detection, Thomas Rowlandson, 15 June 1796

samuel william fores romanticism

Shrine at St. Ann's Hill, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Broad Bottoms in Holland Worshiping Their New King, Thomas Rowlandson, 23 July 1806

rudolph ackermann romanticism

The Welsh Sailor's Mistake, or Tars in Conversation, George Murgatroyd Woodward, 30 June 1808

prints by thomas rowlandson in the metropolitan museum of art george moutard woodward

Monkey Sharp of Newbury, John Colley Nixon, 1801

aquatint prints in the yale center for british art john nixon

The Chamber of Genius, Thomas Rowlandson, 2 April 1806

romanticism nightshirts

The High-Mettled Racer, John Hassell, between 1789 and 1812

the elisha whittelsey collection john hassell (artist)

The Blue Heron (Ardea coerulea), Mark Catesby, published 1731-1743

the natural history of carolina, florida and the bahama islands etchings in the national gallery of art (washington, d.c.)

United Irishmen Upon Duty, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Plate 15, from "World in Miniature", Thomas Rowlandson, 1816

prints in the metropolitan museum of art romanticism

A Fresh Breeze, Thomas Rowlandson, 4 August 1789

the elisha whittelsey collection romanticism

The Little Black Bullfinch (Rubicilla minor nigra), Johann Michael Seligmann, probably 1743/1762

etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after mark catesby

Pylades and Orestes, James Gillray, 1 April 1797

hannah humphrey james gillray

The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France, James Gillray, 1795

etchings in the yale center for british art james gillray

The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite, George Townshend, 1st Marquess Townshend, 1791

etchings in the yale center for british art george townshend, 1st marquess townshend

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..., James Gillray, 1780

etchings in the yale center for british art james gillray

John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793

etchings in the yale center for british art richard newton

Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match), Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795

etchings in the yale center for british art isaac cruikshank

Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray

etchings in the yale center for british art james gillray

Modish and Prudish, Thomas Rowlandson, 1 December 1791

prints in the metropolitan museum of art romanticism

The Battle of Bow-Street, James Gillray, 1788

aquatint prints in the yale center for british art james gillray

A Modern Cherub, - Vide Peters, James Gillray, 1791

aquatint prints in the yale center for british art james gillray

United Irishmen in Training, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

The Noble Sans - Culotte, James Gillray, 1794

aquatint prints in the yale center for british art james gillray

John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789

etchings in the yale center for british art james gillray

The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share, Isaac Cruikshank, 1801

etchings in the yale center for british art isaac cruikshank

A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig, Isaac Cruikshank, 1797

etchings in the yale center for british art isaac cruikshank

Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789

etchings in the yale center for british art isaac cruikshank

Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790

etchings in the yale center for british art isaac cruikshank

Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790

etchings in the yale center for british art isaac cruikshank

Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?, James Gillray, 1791

etchings in the yale center for british art james gillray

Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance, James Gillray, 1782

etchings in the yale center for british art james gillray

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

Two Rats, the Fox, and the Egg, Jean-Baptiste Oudry, published 1759

etchings in the national gallery of art (washington, d.c.)laurent cars

The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1), James Gillray, 1796

etchings in the yale center for british art james gillray

The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787

etchings in the yale center for british art isaac cruikshank

The Gallant Nelson Bringing Home Two Uncommon Fierce French Crocodiles from the Nile as a Present to the King, Isaac Cruikshank, 1798

etchings in the yale center for british art isaac cruikshank

Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape, Isaac Cruikshank

etchings in the yale center for british art isaac cruikshank

Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2), James Gillray, 1794

etchings in the yale center for british art james gillray

The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us.", James Gillray, 1791

etchings in the yale center for british art james gillray

How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

Boney's Trial, Sentence, and Dying Speech, Thomas Rowlandson, published 1815

prints in the national gallery of art (washington, d.c.)romanticism

Set of four: Comparative Sporting. 4. Partridge Shooters/The Wrong Sort., Henry Thomas Alken

etchings in the yale center for british art henry thomas alken

Set of eight with title-page. 'Foreign and Domestick Animals.' 6. The Hyena, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1834

etchings in the yale center for british art henry thomas alken

Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Horses [set of six]: 4. Park Hack, Henry Thomas Alken, 1826

etchings in the yale center for british art henry thomas alken

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Set of four: Comparative Sporting. 2. Grouse Shooting/The Wrong Sort, Henry Thomas Alken

etchings in the yale center for british art henry thomas alken

Set of Five: Studies of Laborers, George Morland, between 1791 and 1795

etchings in the yale center for british art paintings by george morland

Set of twelve [Scenes in the Life of Master George], Henry Thomas Alken, 1823

etchings in the yale center for british art henry thomas alken

A View of the West Front of Clare Hall, King's College Chapel.in the University of Cambridge, Peter Spendelowe Lamborn

etchings in the yale center for british art peter spendelowe lamborn

The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields, Francis Jukes, circa 1784

etchings in the yale center for british art francis jukes

A Kick-up at a Hazard Table, Thomas Rowlandson, published 1787

prints in the national gallery of art (washington, d.c.)romanticism

Germans eating sour-krout, James Gillray, 1803

hand-colored etching print germans eating sour-krout

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